Toby Peterson-Stewart
Toby Peterson-Stewart’s bass tones are built with the same attention to detail as his playing. Across The Omnific and I Built The Sky, technical precision is balanced with weight, movement, and an unmistakable sense of groove.
His approach goes beyond finding one amp sound. Clean low-frequency weight, direct attack, controlled articulation, aggressive drive, and dirty midrange character are treated as separate layers, each contributing something different to the final tone.
Inspired by that recording workflow, Endless Bass turns a multi-track studio process into one playable instrument.
Five distinct roles. One complete bass tone.
Endless Bass Plugin Walkthrough
Hear Endless Bass In Action
A Five-Channel Parallel Bass Processor.
Sub:
A dedicated clean low-frequency channel with its own compressor. Add controlled depth and weight without forcing distorted amplifiers to carry the foundation of the tone.
DI:
The untouched character of your instrument. Preserve clarity, transient detail, and direct punch alongside the processed layers.
Focus:
A tight, articulate amplifier designed for note definition, transient control, and pick attack.
Modern:
An aggressive, metallic amplifier built for upper-mid grind, edge, and contemporary progressive bass tones.
Rock:
A thick, dirty amplifier with a looser response and pronounced midrange character.
Start Simple. Go Deeper.
Use The Amp to build a complete tone quickly through a familiar pedal-style interface.
Open The Mixer when you want independent complete control over every layer
The Amp
The fastest route to a complete bass tone.
The Amp condenses the full parallel system into a familiar pedal-style workflow, splitting your signal into dedicated Sub, DI, and distorted paths. The Sub channel includes its own compressor, allowing you to lock the lowest frequencies in place while the DI preserves clarity, attack, and the natural character of your instrument.
Three internal amplifier voices (Focus, Modern & Rock) are blended through the Amp Bus and driven together from a shared Drive control, making it easy to move from subtle layered grit to a dense, aggressive wall of sound.
A carefully tuned graphed EQ can be applied Pre or Post amp processing. Shape the response of your instrument on the way in, or refine the completed tone on the way out.
For deeper control over every individual layer, open the Mixer.
The Mixer
Blend. Isolate. Control.
Inspired by Toby's studio workflow, the Mixer gives you independent control over the Sub, DI, Focus Amp, Modern Amp, and Rock Amp channels, as well as an Amp Bus which groups the Focus, Modern, and Rock Amps for batch leveling or EQ processing. Blend the five paths like separate tracks in a session, riding their levels until each layer contributes exactly what the song needs.
Each channel includes its own parametric EQ and real-time frequency analyzer, allowing you to sculpt & control every single aspect of your parallel channels. The three amplifier channels also feature independent pre-gain controls, giving you precise control over how hard each amp is driven.
Adjust the faders. Flip polarity. Solo individual paths. Shape each layer with EQ. Choose from Toby's included cabinet captures or load your own impulse responses.
All the control of a multi-track bass session, contained inside one plugin.
The Pre-Effects
Compressor
Control dynamics before they reach the parallel engine, adding consistency and shape without flattening the finished blend.
Fuzz
Add aggressive harmonic texture. This pedal never hits the Sub, keeping your low-end intact, and is independently routable to effect only the amps, DI, or both.
Chorus
Introduce width and movement while keeping the dedicated Sub path focused and intact. This pedal is also independently routable to effect only the amps, DI, or both.
Turn Five Channels Into One Finished Tone.
Once the five layers have been shaped and blended, Endless Bass provides a dedicated output section for cohesion, space, and final polish.
T76 Compressor
Add the final punch and cohesion.
The T76 is an FET-style output compressor designed to react quickly, reinforce attack, and glue the five parallel channels into one finished bass tone. Use it subtly for control or push it harder for the urgency and movement associated with classic studio FET compression.
TS Room Reverb
Give your bass a sense of space without losing its definition.
Convolution Mode uses true-stereo impulse responses to place the finished tone inside a realistic room. Algorithmic Mode delivers a more stylized, vintage-inspired reverb with adjustable decay, ideal for adding ambience, width, or a more pronounced effect.
Switch the Reverb Type to move instantly between realistic spaces and classic algorithmic character.
Hype applies Toby’s signature EQ curve to add presence, sheen, and a more polished sense of detail to the finished tone. Designed especially for exposed and solo bass material, it brings the instrument forward with one simple control, adding the final touch without requiring another round of detailed EQ.
Hype
Toby’s Signature Finishing Curve.
Tuner
Built for Extended-Range Bass.
The integrated graphic tuner tracks all the way down to E0, making it easy to tune even the lowest extended-range instruments without ever leaving the plugin.
The Complexity of a Full Studio in One Plugin.
Keep the Sub clean. Preserve the DI. Add articulation through Focus, aggression through Modern, and dirty midrange weight through Rock.
Shape every layer individually. Blend only what the song needs. Finish the complete tone from one interface.
One bass. Five parallel channels. Endless possibilities.
System Requirements
macOS
macOS 10.15 through macOS 26
64-bit VST3, AU, AAX, and Standalone formats.
Native support for Apple Silicon and Intel
Windows
Windows 10 and Windows 11
Available in 64-bit VST3, AAX, and Standalone formats.
Simple Account-Based Authorization
Licensing is handled directly through your account.
No iLok account. No USB dongle. No separate license manager.
Activate Endless Bass directly and manage your licenses from your account at any time.
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